In Memory of John Vlissides

One year ago on Thanksgiving day, my friend John Vlissides died.
I’m sure that many of you have heard of John. He was one of the so-called “Gang of Four” who wrote the “Design Patterns” book that set off a huge fad in software engineering (and quite typically for John, he always insisted on pointing out that the reason he was the *fourth* of the GoF was *not* alphabetical). John was also a major contributor to InterViews, one of the early object-oriented GUI frameworks; and a major influence on the recently demonstrated Jazz system from IBM.
John and I didn’t agree on much. He was a passionate political conservative, and I’m about as liberal as they come. He was a deeply religious christian, and I’m jewish. Even on work issues, we tended
to disagree on most things. John was an object-oriented purist, and am very much not. I remember arguing with him once about the addition of generic types to Java, back when they were still under discussion. I thought that they were an overdue addition; John thought that they shouldn’t be there at all. His idea was that if you need a list of “X”, you should probably be defining a domain specific type that has richer semantics than just `List`, and that putting generics into the language just encouraged people to be lazy. My opinion should be well-known from the stuff I’ve written here.
But you didn’t have to agree with John. He was a genuinely terrific guy. No matter how strongly he disagreed with you, he *never* got angry. Arguing with him was always an intellectual thing, not an emotional thing. Just because he argued with you, that didn’t mean that there was any hostility.
John was an *amazing* advocate for his ideas. I often thought that he didn’t always do the best job of *picking* the ideas that he advocated, but once he bought into an idea, he was into it heart and soul, and he was positively amazing at talking about the things he believed in, from politics to
software to education to just about anything.
The other very special thing about John was that he was a fantastic *mentor*, which is something we often lack in industrial research. John always found time to sit and talk about research ideas, especially with junior researchers. He could listen to an idea, and very quickly grasp it, and ask
*exactly* the right questions that you needed to think about to fully develop the idea. And it didn’t matter whether he *liked* the idea. Even if he didn’t, he’d *still* take the time to sit with you and talk, and ask deep questions to work through the idea – and generally, he’d either ask questions that homed in on the weaknesses of the idea, so that you’d come to agree with him that it wasn’t good; or he’d listen to the answers and see that his objection was wrong.
Around three years ago, John woke up one morning, and one of his legs was numb. Tests showed that it
was a very well developed, inoperable brain cancer. It was pretty much hopeless; there was no real chance of his surviving it. They treated him to try to slow it down, to give him as much good time as they could. He handled it with astonishing dignity and grace. Even while he was dying of cancer, he continued to be the same patient listener/debater that he’d always been. He was a thoroughly good person, and all of us who knew him miss him.
Before he died, he asked that in his memory, people give money to the children’s cancer center at the Westchester county hospital. One of John’s children, his daughter Helen, had been born with cancer several years ago, and died around her first birthday. If you knew John, or were influenced by his books, why not go find a children’s cancer center near you, and donate some money in his memory?

Complexity from Simplicity; or, Why Casey Luskin Needs a Math Class

One of my fellow ScienceBloggers, [Karmen at Chaotic Utopia](http://scienceblogs.com/chaoticutopia/2006/11/puzzling_at_a_simpleminded_cre.php) pointed out a spectacularly stupid statement in [Casey Luskin’s critique of Carl Zimmer][lutkin] (*another* fellow SBer) at the Discovery Institutes “Center for Science and Culture”. Now normally, I might not pile on to tear-down of Casey (not because he doesn’t deserve it, but because often my SciBlings do such a good job that I have nothing to add); but this time, he’s crossed much too far into *my* territory, and I can’t let that pass without at least a brief comment.
[lutkin]: http://www.evolutionnews.org/2006/11/evolution_nat_geo_1.html
So, here’s the dumb statement:
>The article called evolution a “simple” process. In our experience, does a “simple” process generate
>the type of vast complexity found throughout biology?
Yes, one of the leading IDist writers on the net believes that in reality, simple processes don’t generate complex results.
Karmen pointed out fractals as a beautiful example of the generation of complexity from simplicity. I’d like to point out something that, while lacking the artistic beauty of a well-chosen fractal, is an *even simpler* and possibly more profound example.

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Shrinking Sun (Part 2)

So, as promised, it’s time for part two of “The Creationists and the Shrinking Sun”.
The second main tack of the creationists and the shrinking sun is to *not* use the bare
measurements of an allegedly shrinking sun as their evidence. Instead, they use it as
evidence for a very peculiar theory. It’s an interesting approach for a couple of reasons: it
actually *proposes a theory* (a bad theory, but hey, at least it’s a theory!); it uses some recent theories and observations as evidence; and it casts the whole concept of how the sun works as part of an elaborate conspiracy to prop up evolution.

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Shrinking Sun (Part 1)

One of the more pathetic examples of bad math from the creationist camp is an argument based on the
claim that the sun is shrinking. This argument has been [thoroughly
debunked](http://www.talkorigins.org/indexcc/CE/CE310.html) by other folks, so I haven’t bothered to
add my two cents here at GM/BM. I hadn’t heard anyone mention this old canard until
recently, when a reader wrote to me to ask if I could comment on it. I *hate* to disappoint
my readers, and this is *such* a great example of flaming bad math, so I figured what the heck. So hang on to your hats, here it comes!
There are a lot of [different](http://www.answersingenesis.org/creation/v11/i2/sun.asp) [variants](http://www.evcforum.net/cgi-bin/dm.cgi?action=msg&f=2&t=138&m=1) of [this](http://www.creationism.org/ackerman/AckermanYoungWorldChap06.htm) [argument](http://www.icr.org/index.php?module=articles&action=view&ID=165) out there. There are two main forms of this argument; there’s one version that focuses on extrapolating measurements of
the sun, and the more complicated one that adds in an explanation of the shrinkage and tries
to use neutrino measurements as a support. I was going to cover both in this post, but it was getting way two long, so in this post, I’m going to stick to the first naive argument, and then in my next post, I’ll cover the second.

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Friday Pathological Programming: Quine Madness with Muriel

Due to work stuff, I’m very busy this week, and I don’t have time to write a detailed
pathological language post, so I chose something that doesn’t take a lot of explanation, but
which is delightfully twisted. It’s a language called [Muriel](http://web.archive.org/web/20021205092706/http://demo.raww.net/muriel/), aka
the *”Monumentally Useless ReIterative Execution Language”.
Muriel is based on the idea of [*quines*](http://www.nyx.net/~gthompso/quine.htm). A quine for a programming language is a program in that language which produces itself as output. Quines are
considered interesting puzzles in some circles, which has led to generation of huge collections of quines in just about every imaginable programming language. Follow the link above to see one such collection. Muriel takes things a step further: instead of quines being an interesting (if pointless) challenge, in
Muriel, they’re an essential part of the language!

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Friday Random Ten, Nov 17

1. **Trout Fishing in America, “I Get Ideas”**. Trout is a great band; they do both children’s
music and adult music. This is one of their children’s songs, but I love it anyway. What’s
not to like about a song that features shampooing with peanut butter?
2. **Gordian Knot, “The Brook The Ocean”**. Gordian Knot is an instrumental progressive rock band consisting of bassist Sean Malone, and whoever else he feels like playing with. GK has included Bill Bruford, Adrian Belew, Trey Gunn, Steve Hackett, Mike Portnoy, and a ton of other amazing people. This is a spectacular track, a thoroughly great exaple of GK.
3. **Fairport Convention, “John Gaudie”**. A classic old folk tune performed by Fairport Convention.
4. **Martin Hayes, “The Crooked Road/The Foxhunter’s Reel”**. Martin Hayes is a phenomenal Irish
fiddler. In general, he plays things at a very reasonable pace, and is very sparse and elegant
in his ornamentation. This tune is pretty much his way of saying “Yes, I *can* play as fast and fancy as any of those snotty showoffs, I just usually *choose* not to.” Amazing musicianship, played with the same kind of elegance that characterizes his normal playing. I’m glad that he doesn’t do
*everything* in this showy style, but for a once-in-a-while thing, it’s positively brilliant.
5. **John Corigliano, “Etude Fantasy 4. Ornaments”**. A modern classical piece for piano written
by one of the finest composers in America. Corigliano isn’t an *easy* composer to listen to, but
he’s well worth the effort.
6. **Broadside Electric, “Bucimis”**. Broadside is a local-ish (Philadelpha/Central NJ) band that
plays electricified folk music. They specialize in old broadsides from Childe’s ballads, along
with Irish and Klezmer themed instrumentals. This is an instrumental track of theirs, which is
based on a *Bulgarian* folk dance in a meter of – get this – 15/16. (4 fast 2s, followed by one 3 that takes as long as two of the twos, followed by one more two; repeat until dizzy.)
7. **Psychograss, “Big Gravel”**. Funky newgrass from a Darol Anger led band consisting of some
of the most brilliantly twisted players in modern bluegrass: Darol Anger on fiddle, Mike Marshall on Mandolin, the great Tony Trischka on banjo, Todd Phillips on bass, and David Grier on guitar.
8. **Kate Bush, “Nocturn”**. A beautiful piece off of Kate’s latest.
9. **Darol Anger’s Republic of Strings, “The Seagull/Bay Day”**. Another brilliant effort from Darol Anger. The man has *such* a range!
10. **Marillion, “Interior Lulu”**. A wonderful, long piece from my favorite neo-progressive band. This one has a very interesting structure. It starts out with an intro that sounds very much like recent Marillion work. Then it flashes back into a sound like the genesis cover band that they were when they started out, and gradually changes until they sound like todays Marillion again by the end. Very, very cool.

Bad News for Uncommon Descent

In my ongoing search for bad math, I periodically check out Uncommon Descent, which is Bill Dembski’s
blog dedicated to babbling about intelligent design. I went to check them today, and *wow* did I hit the jackpot.
Dembski doesn’t want to bother with the day-to-day work of running a blog. So he has a bunch of bozos
who do it for him. Among them is Salvador Cordova, who can almost always be counted on to say
something stupid – generally taking some press story about science, and trumpeting how it proves
intelligent design using some pathetic misrepresentation of information theory. [That’s exactly what
he’s up to this time.](http://www.uncommondescent.com/archives/17816)

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Deepak Chopra is an Idiot

As [PZ](http://scienceblogs.com/pharyngula/2006/11/chopra_go_play_with_steve_irwi.php) pointed out, Deepak Chopra is back with *yet another* of his clueless, uninformed, idiotic rants. This time, he’s written [an article trying to “prove” that there is an afterlife](http://www.intentblog.com/archives/2006/11/what_happens_af.html). Normally, when PZ comments on something like this, I have nothing to add; he does such a good job fisking
credulous morons. But this time, I actually have something to add.

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Egyptian Fractions

While I was researching yesterdays post on Archimedes integration, one of the things I read reminded me of one of the stranger things about Greek and earlier math. They had a notion that the only valid fractions were *unit* fractions; that is, fractions whose numerator is 1. A fraction that was written with a numerator larger than one was considered *wrong*. Even today, if you look in a lot of math books, they use the term “vulgar fraction” for non-unit fractions.
Obviously, there *are* fractions other that *1/n*. The way that they represented them is now known as *Egyptian fractions*. An Egyptian fraction is expressed as the sum of a finite set of unit fractions. So, for example, instead of writing the vulgar fraction 2/3, the Greeks would write
“1/2 + 1/6”.

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Archimedes Integration of the Circle

A lot of people have asked me to write something about “Archimedes Integration”, and I’m finally getting around to fulfilling that request.
As most of you already know, Archimedes was a philosopher in ancient Greece who, among other things, studied mathematics. He invented a technique for computing areas that’s the closest thing to calculus before Newton and Leibniz. Modern mathematicians call Archimedes technique “the method of exhaustion”.
The basic idea of the method of exhaustion is to take the figure whose area you want to compute, and to divide it into pieces whose area you already know how to compute; and to make the divisions smaller and smaller, *exhausting* the area not included.

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