I’ve been getting a lot of mail from people asking for my take on
the news about the Washington GOP primary. Most have wanted me to
debunk rumours about vote fixing there, the way that I tried to debunk the
rumours about the Democratic votes back in New Hampshire.
Well, sorry to disappoint those of you who were hoping for a nice debunking
of the idea of fraud, but to me, something sure looks fishy.
In the last couple of posts, I showed how we can start looking at group
theory from a categorical perspective. The categorical approach gives us a
different view of symmetry that we get from the traditional algebraic
approach: in category theory, we see symmetry from the viewpoint of
groupoids – where a group, the exemplar of symmetry, is seen as an
expression of the symmetries of a simpler structure.
We can see similar things as we climb up the stack of abstract algebraic
constructions. If we start looking for the next step up in algebraic
constructions, the rings, we can see a very different view of
what a ring is.
Before we can understand the categorical construction of rings, we need
to take a look at some simpler constructions. Rings are expressed in
categories via monoids. Monoids are wonderful things in their own right, not
just as a stepping stone to rings in abstract algebra.
What makes them so interesting? Well, first, they’re a solid bridge
between the categorical and algebraic views of things. We saw how the
category theoretic construction of groupoids put group theory on a nice
footing in category theory. Monoids can do the same in the other direction:
they’re in some sense the abstract algebraic equivalent of categories.
Beyond that, monoids actually have down-to-earth practical applications –
you can use monoids to describe computation, and in fact, many of the
fundamental automatons that we use in computer science are, semantically,
monoids.
This post started out as a response to a question in the comments of my last post on groupoids. Answering those questions, and thinking more about the answers while sitting on the train during my commute, I realized that I left out some important things that were clear to me from thinking about this stuff as I did the research to write the article, but which I never made clear in my explanations. I’ll try to remedy that with this post.
In my introduction to groupoids, I mentioned that if you have a groupoid, you can find
groups within it. Given a groupoid in categorical form, if you take any object in the
groupoid, and collect up the paths through morphisms from that object back to itself, then
that collection will form a group. Today, I’m going to explore a bit more of the relationship
between groupoids and groups.
Before I get into it, I’d like to do two things. First, a mea culpa: this stuff is out on the edge of what I really understand. My category-theory-foo isn’t great, and I’m definitely
on thin ice here. I think that I’ve worked things out enough to get this right, but I’m
not sure. So category-savvy commenters, please let me know if you see any major problems, and I’ll do my best to fix them quickly; other folks, be warned that I might have blown some of the details.
Second, I’d like to point you at Wikipedia’s page on groupoids as a
reference. That article is quite good. I often look at the articles in Wikipedia and
MathWorld when I’m writing posts, and while wikipedia’s articles are rarely bad, they’re also
often not particularly good. That is, they cover the material, but often in a
somewhat disorganized, hard-to-follow fashion. In the case of groupoids, I think Wikipedia’s
article is the best general explanation of groupoids that I’ve seen – better than most
textbooks, and better than any other web-source that I’ve found. So if you’re interested in
finding out more than I’m going to write about here, that’s a good starting point.
Metaphor, “Call Me Old and Uninspired or Maybe Even Lazy and Tired but Thirteen Bodies in my Backyard Say You’re Wrong”: Very cool (if silly) track from one of the best neo-progressive bands I found via Bitmunk. I love Bitmunk.
The Beatles, “Mean Mr. Mustard”
The Flower Kings, “The Devil’s Danceschool”: Brilliant instrumental piece by
the Flower Kings, built around an improv by a Trumpet fed through a synth bender.
Do Make Say Think, “You, You’re Awesome”: one of my favorite post-rock groups. Very typical of their sound.
Tony Trischka Band, “Woodpecker”: Tony used to be my banjo teacher. I also think he’s the best banjo player in the world today – better even that Bela Fleck (another of his students). Tony’s playing is more sophisticated than Bela’s. He’s done more to revolutionize Banjo playing than anyone since Earl Scruggs. This track has some really interactions – unisons, and call/response type stuff between the sax and Tony’s banjo.
The Silver Mt. Zion Memorial Orchestra and Tra-la-la Band, “Take These Hands and Throw Them Into the River”: Absolutely incredible music from A Silver Mt. Zion. This is, quite possibly, my favorite thing by them. Very intense, rather loud for ASMZ. Amazing piece of work.
Glass Hammer, “Ember Without Name”: Very long, very good track by an American neo-progressive band. When I first listened to this album, I was rather depressed – the first track is dull and repetitive. I was expecting it to follow in that pattern. This track blew me away. It’s not quite up there with the great prog bands, but it’s really good.
Mandelbrot Set, “And the Rockets Red Glare”: math-geek post-rock; what’s not to love?
Boiled in Lead, “Rasputin”: Very, very silly. This is a comedic song by an electric folk-rock band. It tells the story of Rasputin, set to music built form Russian
folk song melodies. With lyrics like “Rah Rah Rasputin, Russia’s greatest love machine”.
Sonic Youth, “Incinerate”: a truly great track from Sonic Youth.
Sorry for the lack of posts this week. I’m traveling for work, and
I’m seriously jet-lagged, so I haven’t been able to find enough time
or energy to do the studying that I need to do to put together a solid
post.
Fortunately, someone sent me a question that I can answer
relatively easily, even in my jet-lagged state. (Feel free to ping me with more questions that can turn into easy but interesting posts. I appreciate it!)
The question was about linear logic: specifically, what makes
linear logic linear?
Godspeed You! Black Emperor, “Antennas to Heaven”: What can you really say about the greatest post-rock ensemble ever?
The Windmill, “Please Keep War Stories to a Minimum”: a recent post-rock discovery of mine, via bitmunk. Excellent group.
Rachel’s, “An Evening of Long Goodbyes”: Rachel’s is one of the more classical-leaning post-rock groups. They’re wonderful.
Peter Schickele, “Listen Here, Tyrannosaurus Rex”: The discoverer of PDQ Bach, actually doing something really goofy in his own name. Fun, but silly.
The Flower Kings, “Man Overboard”: The Flower Kings are, without the slightest doubt, one of the greatest, if not the greatest of the neo-progressive bands, and they could give the best of the original proggers a run for their money. This track is part of their double-album “Unfold the Future.” It’s an interesting piece – it starts off as a
what seems like a simple little ballad, but the chorus involves a bunch of wonderfully strange chords and time changes. Just brilliant.
The Redneck Manifesto, “Bring Your Own Blood”: Another great post-rock band in,
roughly speaking, the Mogwai vein. Another really great group – The Redneck Manifesto is one of my favorites.
Marillion, “Toxic”: a live version of Marillion covering a Britney Spears song. Who knew that a Britney tune could be anything other than total trash? Still not exactly a brilliant piece of music, but it’s not garbage, either.
Apothecary Hymns, “The Marigold”: A nifty track by a very hard to categorize
band. They’re sort of vaguely like early Fairport Convention, but with a very modern instrumental sound. I first heard these guys on New York’s NPR station. They’re really good.
Mogwai, “I know you are but what am I?”: Mogwai – among the best post-rock out there. Not enough good things that I can say about them. This track is an ethereal wonder.
Spock’s Beard, “Onomatapea”: the first track off SBs first album after the
originally band leader found religion and quit. I know a lot of SB fans dislike this album, and particularly dislike this song, but I really don’t know why. It’s the first SB song I heard, and I still think it’s terrific – better than a lot of the older Morse-written stuff.
One of the staples of chinese cooking is fried rice. Unfortunately, what we get in
American restaurants when we order fried rice is dreadful stuff. The real thing is
absolutely wonderful – and very different from the American version.
The trick to getting the texture of the dish right is to use leftover rice. Freshly cooked rice won’t work; you need it to dry out bit. So cook some other chinese dish one night, make an extra 2 cups of rice, and then leave it in the fridge overnight. If you can, take it out of the fridge a couple of hours before you’re going to cook, to get it to room temperature. Then when you’re ready to start preparing all the ingredients, use your hands to crumble the rice – that is, break up the clumps so that the grains aren’t sticking together.
What I found surprising about real fried rice was that you don’t put any soy sauce into the rice. The rice is the heart of the dish, and you don’t want anything as strongly flavored as soy sauce to disturb the fine, delicate flavor of good rice.
I generally start with around two cups of uncooked rice to make a large portion for four people.
Ingredients
2 cups rice (uncooked measure), prepared the day before, and left to stand
overnight.
1/2 large onion, finely diced.
1/2lb ground meat. (I use ground chicken thighs; ground pork is more traditional.)
1 tablespoon of soy sauce.
Vegetables (quantity to taste); something like snow peas, green beans, broccoli
florets, etc – something nice and crisp.
1 tablespoon finely minced pickled turnip. (You can get this in a chinese grocery
store. If you can’t find it, just leave it out.)
Salt, to taste. Approximately 1 teaspoon.
Green parts of two scallions, finely chopped.
Instructions
Mix the soy sauce into the ground meat, and let it marinate for a few minutes.
Heat your wok on high heat, then put in the ground meat and stir-fry until nicely
browned. Then remove the meat, leaving the drippings in the wok.
Add the onions to the pan, and stir-fry quickly until they start to soften.
Add the vegetables and turnip, and stir around until the veggies just start to cook.
Lower the heat to medium, add the rice, sprinkle with the salt, re-add the ground
meat, and continue to stir until the rice is hot and just barely starting to brown.
Add the scallions, stir one last time, and serve.
This is a recipe that you should feel free to fool around with. It’s pretty versatile. After thanksgiving, I make leftover turkey fried rice; if we buy a roast duck and have leftovers, I make duck fried rice. It also supposedly comes out very well with smoked ham as the meat. One chinese chef even suggested adding finely diced tomatoes to it, which
surprising worked extremely well!
Today’s entry is short, but sweet. I wanted to write something longer, but I’m very busy at work, so this is what you get. I think it’s worth posting despite its brevity.
When we look at groups, one of the problems that we can notice is that there are things
that seem to be symmetric, but which don’t work as groups. What that means is that despite the
claim that group theory defines symmetry, that’s not really entirely true. My favorite example of this is the fifteen puzzle.
The fifteen puzzle is a four-by-four grid filled with 15 tiles, numbered from 1 to 15, and one empty space. You can make a move in the puzzle by sliding a tile adjacent to the empty
space into the empty. In the puzzle, you scramble up the tiles, and then try to move them back so that they’re in numerical order. The puzzle, in its initial configuration, is shown to the right.
If you look at the 15 puzzle in terms of configurations – that is, assignments of the pieces to different positions in the grid – so that each member of the group describes a single tile-move in a configuration, you can see some very clear symmetries. For example, the moves that are possible when the empty is in any corner are equivalent to the moves that are possible when the empty is in any other corner. The possible moves when the space is in any given position are the same except for the labeling of the tiles around them. There’s definitely a kind of symmetry there. There are also loops – sequences of moves which end in exactly the same state as the one in which they began. Those are clearly symmetries.
But it’s not a group. In a group, the group operation most be total – given any pair of values x and y in the group, it must be possible to combine x and y via x+y. But with the 15 puzzle, there moves that can’t be combined with other moves. If x = “move the ‘3’ tile from square 2 to square 6”, and y = “move the ‘7’ tile from square 10 to square 11”, then there’s no meaningful value for “x+y”; the two moves can’t be combined.